RICHARD NOTT

(1963-2025)



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ABOUT :

Richard Nott’s paintings are unique. There are no oil or acrylic paints in his studio, he works with industrial materials, bitumen, emulsions and varnishes, building them up layer upon layer, often over intimately drawn or gouged grids, lines or marks, into a textural palimpsest, before courageously scraping or burning them back to reveal what lies underneath. Viewing Richard Nott’s artwork is witnessing a protracted collision of creative and destructive processes. An evolution of matter, exposed, concealed, exposed, concealed, continuously. His paintings become the consequence of years spent where Nott’s history merges with the history of the elements used. He has little interest in illusionistic ‘texture’, the work must be its own entity, have its own story and be its own statement. His objective is to create an organic object that evolves like a living thing with truth and imperfection. His process of working allows for a contemplation of a cycle of existence to become imbued in to the work. Not a beginning with an end but a journey where genesis leads to dissolution, and on once again to genesis. Something eternal akin to alchemy...

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Richard Nott (1963-2025) was widely regarded as one of Cornwall’s most influential and ambitious contemporary artists. He created a singular body of work that continually pushed the parameters of painting. Nott gained his Fine Art degree at Lancashire Polytechnic and an MA in Fine Art at the University of Reading, then worked as an assistant to Andy Goldsworthy on site-specific sculptures in the Lake District. He was briefly a gallery assistant at the Royal Academy and at Oldham Art Gallery, before winning the South West Arts Visual Arts & Photography Award in 1994 and later a residency at the 12th International Weeks of Painting in Slovenia. A long-term tenant at the renowned Porthmeor Studios in St Ives, he went on to establish his own studio complex at The Forge in Hayle, and most recently worked from Bay House Studio, overlooking St Michael’s Mount. Exhibitions were extensive and international, notably including numerous solo exhibitions at Anima Mundi over a long and intimate working relationship, Art Now Cornwall at Tate St Ives, Chashama on Avenue of the Americas in New York City and Koss Gallery in Detroit. His first Monograph, ‘Vestige’ is published posthomusly by Samson & Co.

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